My dissertation, "Conscience on Stage: Revising Jatra in Bengal as a Tool for Representation, Restoration, and Revolution," draws from the evolution of the Bengali performance form Jatra from a religious celebration to a secular and provocative form of theatre both socially and politically charged to support grassroots engagement. My dissertation examines one of the most distinctive features of Jatra, the anthropomorphizing of the "conscience," commonly known as the bibek. This is a character type that can interrupt the action to grant expression to various characters' perspectives through song and provide larger ethical commentary on the action of the drama as it corresponds to relevant local issues. By employing the postcolonial notion of hybridity, I investigate how this character type allows us to understand contemporary Jatra from within its colonial roots.

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For my book project, I plan to focus on the 21st century Jatra performance emphasizing caste and class relationships in India.

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Leaving Home, Finding Home is a digital storytelling space by and for the immigrant women from South Asia residing in the United States (South Asian countries: India, Bangladesh, Nepal, Bhutan, Pakistan, Afghanistan, Maldives, and Sri Lanka). As a South Asian academic, immigrant, and digital archivist for this platform, I invite women who identify as South Asian to share their powerful stories related to immigration, identity, freedom, and equality. 

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Through this website, we can claim a collective identity while still celebrating our differences. I am creating this platform to better understand and to collectively negotiate our evolving identities as immigrants. I envision this forum as a powerful new performance space to invigorate an exchange on issues immigration specific for women from South Asia to the US.